'kara walker'

-This might not be an exhibition for me, my then nine-year old daughter whispered to me in one of the rooms at Kara Walker’s solo show at Kunstforeningen GL Strand in Copenhagen during January last year.

That she did not know much about American history from the time of slavery and the relation between black and white was not the issue, but more the violent and sexual imagery. Race, rage and rape. Love and hate. The human size silhouettes stays in your mind and your body-memory for a long time. Silhouettes, considered as girl’s play and “low” pastime - combined with political meltdown gives you shivers.

 

My daughter went to the small bookshop and sat down to wait on a couch. The world outside did not want her to relax, but to react again. Twilight dusk coming closer, heavy rainy clouds in the air. Thousands and thousands of people marched outside the window on the other side of the canal. A demonstration against Israel’s war in Gaza. Angry and loud voices and movements, smoking and reeking crackers being thrown around. All violence made her sad, thinking of all wars in the world and long for her safe bed. No monsters there.

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